Timeless improvisation
I typically start with tempo-free improvised music as a base for my compositions, whether raw classical piano & guitar solos or synthetic voice-driven pieces, which I edit in Ableton, Audacity (still my favourite), and Melodyne when needed, along with a whole litany of useful but rarely used VSTs. My penchant for soundfonts has never changed: I still use the same ones I used when I was 15, over 20 years ago, to create my music.
I do use AI sometimes, but as someone who can sing, play piano, guitar, violin, and other instruments, and who understands music production, marketing, and the industry, I see it as an innovative tool, not a replacement for human artistry.
neoclassical improvisation
My music blends neoclassical composition with lo-fi aesthetics and modern sound design. Drawing from classical piano and violin traditions, my work combines live performance with contemporary production techniques.
Piano serves as the foundation for much of my composition—both in its intimate, live-recorded form and as a base for layered textures. My neoclassical pieces reference Baroque and Romantic influences through melodic development and harmonic exploration. I also incorporate violin, which adds tonal variety and movement. My lo-fi instrumentals take a different approach, leaning into a more meditative atmosphere with soft synth pads, reverb, and subtle electronic elements.
By pairing acoustic instruments with modern production—ambient textures, gentle distortions, and synth-based soundscapes—I aim to create immersive listening experiences. My catalogue ranges from solo piano works to neoclassical arrangements and atmospheric lo-fi pieces.
Vocal-Driven Music Fusing Neoclassical Composition with Pop, EDM, Downtempo, and Soul
AMy work sits between classical foundations and modern sound design. While I draw from neoclassical theory, I don't stick to any single genre. I write across pop, EDM, downtempo, and soul, experimenting with how these styles can inform each other.
I experiment with vocals as both melody and texture, using production techniques like reverb layering, vocoders, and various forms of manipulation. I'm interested in contrasts: pairing organic sounds with synthetic ones, weaving delicate melodies through heavier bass, blending different sonic atmospheres.
Improvisation is central to my process. I don't worry about rigid time signatures or staying locked to a grid. I value the flexibility to let a piece breathe and shift as it needs to. In an age where AI generates formulaic music instantly, I'm more interested in the human aspect: feeling the music, responding to it in real time, capturing the imperfections and emotional nuances that come from actually playing and living with a sound. I'm trying to tell stories and see where different combinations lead.
philanthropy & giving back
Mental health advocacy is particularly close to my heart, and I have contributed to organizations providing support for those struggling with grief, depression, and crisis intervention. Additionally, my love for animals has led me to support animal welfare charities, including those providing food and medical care for pets in need.
eyond financial contributions, I dedicate my time to volunteering, working hands-on with charities and community organizations, whether it’s assisting at food banks, raising awareness for mental health, or organizing events that bring people together in support of a greater cause.
Philanthropy, to me, is not just about giving—it’s about showing up, fostering change, and inspiring others to take action.
Throughout my career, I have been deeply committed to philanthropy and advocacy, using both my resources and time to support causes that align with my values. I have donated to organizations addressing food insecurity and poverty, ensuring that vulnerable communities have access to essential resources, especially during harsh winter months.
As an LGBT advocate, I actively support initiatives that uplift and empower marginalized voices within the community, promoting equality and mental well-being.
